Sunday, September 30, 2007

the tale of the boysaint who had fallen into the gutter but looked up at the stars


I’d like to tell you a story about a faraway boy
With shadowed stainedglass eyes
Who loved everything a little too much
And tried to cure his heavy heart
With things he knew he ought not to do
Like cloud his mind with bluegrey smoke
And fill his veins with fields of red flowers

I’d like to help you hear the hollow sound
His battered, worn-down shoes
On the wet footpaths of the city’s alleyway streets
Added to London’s pulsating, thunderous beat
As he’d feel his way along the brick and grime
To places not above nor under ground
Where he’d do things he’d rather never have done
As a means to do the things he ought not

I’d like to help you better see his tracingpaper skin
That transparently let secrets be shown
His blueveins were like train tracks under harsh florescent tube-lights
And lower, his bones that had met too many bones rattled & shook
Though the borrowed ride was really quite calm

I’d like to help you understand that there was more for that boy to mind
Than the gap between the train and the platform
Like how his stomach would disappear
Or how sometimes he could hardly stand for the sakes
And how cold it got late at night
When stolen leather, threadbare cotton, & ripped jeans were not enough
Because all else there was, was a flee-bitten, bare mattress
In desolate blackness with broken glass & holes in the roof

I’d like to help you feel what he felt
While threading the needle that stitched his fate
Listening to the sound of his mate putting the kettle on for cups of Earl Grey
That they knew would go cold—untouched
When smokehaze began to feign pure steam & the seed had been sewn

Everything was beautiful though could not be seen
Because his stainedglass eyes had rolled back & hid
Guarded behind long & heavily-pieced black lashes
Just like a doll’s when laid on its back

Monday, September 24, 2007

a spy in the house of descriptions

It is chilly out here, but I don’t want you to think that it is at all bothersome, because it’s not. There is a slight sting sent from the cold, laced metal, which I’m sitting on to my senses, but that too is not unwelcome. I can even feel the air in my nose, it prickles a bit because of the cold, but it’s crisp and light, and I like it.

The scents in the air aren’t as pungent as the feeling of the air itself but I can just make out the smell of moisture, damp brick (which really is very different from moisture alone, I promise), and my fading vanilla perfume (just passing through).

A loud resounding and obnoxious voice will boom out at random; but just as soon as it comes, the cooing breeze (a breeze that I cannot feel for the air down here is still as iced water) sweeps it away again. There is the lulling pitter-patter sound of slow-falling water drops; and there are birds chirping politely and the soft sound of their fluttering wings, but my ears hear them in stillness.

I am surrounded on all sides, except for above which opens to the heavy gray sky, by stories-high concrete and brick. I do not feel enclosed. There are windows all around me as well, each exhibiting yellow-warm and cookie-doe-sweet light and smiling faces. The warmness contrasts greatly against the stony, cold, and muted grays and blues of my space, but I don’t feel unprivileged and I don’t regret my place. I do not feel like the orphan looking in with hungry eyes, but more like the traveler just passing through.

I am a lone human in this secluded area, but I’m not alone: the birds are here, and there are plants growing in the cracks between the bricks beneath my feet; and I feel whole and weightless.

Sunday, September 23, 2007

The Importance of the Green Tea Soy Latte

The fuzzy warmness going down my throat, the lingering sweet-but-not-too-sweet sweetness on my tongue. Just like that tune my stuffed rabbit used to play to me as I slept, or like staying in bed on a snowy school day. That is a Green Tea Soy Latte.

I didn’t know it until this summer when I was stuck overnight at the Toronto Airport. It shouldn’t have been a big deal as I have spent many a night in airports, but I had just gone through the traumatic experience of leaving the city where I belong, I had to get back to Colorado in time to leave for my cousin’s wedding in Montana, and I was sick like I hadn’t been since childhood. I just wanted to sleep in a bed. And I wanted to stop crying. See, I never cry in private, let alone in public, so I was in a state. So out of my mind was I that I spent the money on a green tea soy latte from Starbucks (if you can imagine the already outrageous Starbucks prices combined with being in an airport).

Everything was magically better.

What I need right now, as I realize for the first time that I can’t write an essay, is a Green Tea Soy Latte. Most of the distress is because of the fact that I cannot do such a simple task: how can I not write an essay? Am I really so daft? But another big monkey on my back is the fact that I, the girl who cannot write a proper essay, graduated from high school. How is that so? What is the point of the education system if it lets things like essay writing go, if it lets people like me slip though the cracks?

Oh I really, really need a green tea soy latte.

Monday, September 17, 2007

1984 is not the year I was boooooorn

A songwriter has a tattoo on his (I think) right wrist: 1974. I have no idea why, but ever since seeing it I've wanted one to match. I really dig him; and if I believed in cosmic things I'd think we came from the same star or something (grain of salt, ladies and gents), but I don't, and I don't adore him enough to want to pay tribute to him on my body. I'm not that crazy. His 1974 is thick and serious, and you know it means business, because it does: that is the year he was born. I'd want mine small and flimsy, in my handwriting, maybe even in white ink. Small and insignificant, because it would be: that date means nothing to me--I wasn't even close to being an idea in my mother's head yet.

Because 1974 means nothing to me, and because I'd feel like a creeper if I did get it, I've been thinking about 1984--the year The Smiths' first LP came out. Again, I'm not so crazy (I might be) that I'd get an actual Smiths tattoo, but it ends in four. I don't know. It's sticking though, and I can't let it go.

In a small way, if I did get that tattoo, it would show a small bit of my identity or personality: I'm a person who tends to act on whims. I try not to question myself and can't always stop myself from doing something once I’ve got the itching in my head. But that’s it, it’d just be a symbol of my carelessness.

I don’t believe tattoos or piercings can solve personal issues, or make a person’s identity, but I do think they can symbolize a part of a person’s identity. Someone might get a tattoo of the Star of David if they’re Jewish, but a person doesn't become Jewish because they got a tattoo of the Star of David, etc etc.

Sunday, September 16, 2007

Story of Manchester: chapter one: The tale of the Big Issue Vendor and Shaun Ryder


I went to Manchester this summer and met Shaun Ryder. (If you don’t know who Shaun Ryder is..that kinda sucks. He’s the singer of the Happy Mondays, but knowing that isn’t enough to understand what it all means, if it means anything. Which it really doesn’t.)

Alright, so down Portland Street, my first day in Manchester, with the McDoldalds right across the street and Morrissey’s Central Library to the right and down a block. There’s a Big Issue vendor there because they are everywhere, but this is the first time I notice it’s the Mondays on the cover. I can’t really remember how it all happens, but I am having trouble getting my money out, so we start talking to pass the time. Colorado comes up, and the vendor (Douglas) starts telling me a bunch of stuff about Colorado that I don’t know and some stuff that I do know; and then through this and that and all kinds of things literature comes up and I mention Oscar Wilde. This is the moment I realize that Manchester is better than everything: he starts reciting The Ballad of Reading Gaol to me like a trained actor. It is a great moment, one of those crazy great moments. A homeless man reciting Oscar Wilde on the streets of Manchester!

Anyway, day two: I’m doing this Morrissey tour thing with a Canadian boy from my hostel who doesn’t really know much about Morrissey or The Smiths but knows a lot about environmental issues and Wu Tang Clan. His name is Nathaniel. As we’re going from the library to the Hacienda I hear someone shout, “Neal Cassady!” It’s Douglas, of course! We talk about On the Road and Kerouac and I tell him that the Denver Library had and might still have the scroll, and we freak out about it together. Then I remember that I have my little book of Howl and other poems on me and ask if he’d ever read it; he hasn’t so I give it to him and say he can keep it. He says no dice, come back here before you leave and I’ll give it back. (It sounds dull, but that bit’s important!)

Day three: the Mondays are playing at the Ritz and Douglas is nowhere to be found.

Day four, my last day: I bump into Douglas outside of the McDonalds at the end of Portland. We go in for coffee and he tells me about how he met Bez and got him to sign his last Big Issue and about how he got into the show. We start talking about me again--when I leave and all that, and he gives me the Big Issue as a going away present (and because he didn’t finish Howl and really wants to). And then, out of nowhere and as excited as a child, he tells me to come with him to meet Shaun Ryder. He whips out this huge camera, right, better than the one I have, and tells me about how he’s sort of like a polite paparazzi type thing, but he’s only doing it until he gets a flat and a proper job, then he wants to take only artistic photos or something. It is all really strange. So we go to this hotel and stand outside for a bit, and then wham! Shaun Ryder. He is really nice and very…fragmented, maybe? The drugs took their toll. But he is still very clever. And he has the shiniest and whitest dentures ever. I can’t stop staring at them. Most of the time he and Douglas talk about Manchester in the eighties and the new smoking ban while I just watch. (I don’t feel right bothering celebrities (is Shaun Ryder a celebrity?) when they’re not doing the whole, ‘hey come meet me because I’m famous’ bit.) Then Douglas and I leave.

So it goes, and as it goes, so it went. Shaun Ryder.

Monday, September 10, 2007

We live in an empire of images and there are no protective borders...(random and fragmented responses)

I agree with Susan Bordo's view that we live in an empire of images with no protective borders. Images are constantly thrust in front of our eyes, whether they be advertisements, tv shows, or a random person's personal views. A lot of the time one can pass by an image and not realize they're taking it in, and therefore cannot guard themselves against it. For example, you could be driving down a road and pass numerous billboards advertising Taco Bell, and by the fifth advert you start to crave Taco Bell. Or say you hear the same song numerous times on the radio within a short period of time, chances are you'll have that tune stuck in your head.


An interesting point Bordo brought up in her essay, "The Empire of Images in Our World of Bodies," was the association of certain things to a specific sex. I've often questioned the boys = blue girls = pink debate, but I've never thought about it in terms of Happy Meal toys or boys exclusively liking gritty things and girls exclusively liking shiny things. I've always accepted that girls tend to play with dolls (though I played with both dolls and cars, etc) and boys play with magnifying glasses and ants; and I've never questioned why. I think I've always thought like that because that's what I've always seen, that is what's always being portrayed--little boys have always played with the toy soldiers on tv, and the girls always with their dolls. Or boys will play war and girls will play house.


When trying to think of a community in which images wouldn't penetrate as deeply the Amish community came to mind. But, if you think about it, even they are modeling themselves based off an image (although it's not the same image the majority of America/the western world model themselves after).
Really, even the blind are not protected from the Empire of Images Bordo speaks of. They constantly hear the audio connected to the images and the people around them discussing what the images are of.

The power of images and how they shape and reshape people (without their control or even knowing it) is distressing, but what would society be like without them?

Dear Johnny Marr (whatever, if you know what I mean)




What! Do you not remember 1982-87!? Do you not remember that awkward and quiffed lyrical genius without whom you’d be nothing? Fair enough, your guitar-magic could probably be accredited to 45% of The Smiths success, but the remaining 55% was all Morrissey’s lyrics and vocals (sorry Andy and Mike!). To be honest, I doubt you’d have been signed without Morrissey; and you’ve even said yourself that his words were the reason for The Smiths’ strong following.

Don’t get me wrong, I like Modest Mouse well enough, but:

You are so hot
I would like to steal your digits
And I'm so hung up on it
I would like to
Move away from it
We are so caught up with things
We should pull each other's triggers
(Lounge (Closing Time), Modest Mouse)

Could never hold a candle to:

Fifteen minutes with you
I wouldn’t say no
People see no worth in you
Oh but I do

I dreamt about you last night
And I fell out of bed twice
You can pin and mount me
Like a butterfly
But take me to the haven of your bed
Was something you never said
Two lumps, please
You’re the bee’s knees
But so am I
(Reel Around the Fountain, The Smiths)

You said Isaac’s lyrics were surreal, and that they are, but anyone with enough drugs in their system could come up with (that might not be true..probably isn’t true.):

I just got a message that said
"Yeah, hell has frozen over"
I got a phone call from the Lord
Saying, "Hey, boy, get a sweater right now"
So we're drinking, drinking, drinking, drinking Coca, Coca-Cola
I can feel it rolling right on down
Oh, right on down my throat
(Tiny Cities Made Of Ashes, Modest Mouse)

If food needed pleasing
You'd suck all the seasoning off
Suck it off!
Bang your head like a gong
Because it's filled with all wrong
A ha ha!Clang, clang, clang!

Well, discard whom you please
Like the leaves of a tree A ha ha!A ha ha!
(March into the Sea, Modest Mouse)

I can’t think of one living person who can even come close to touching the beauty and earnestness of Morrissey’s lyrics. Have you seen his following (of course you have!)? I have. And I’ve seen him make a big brute with a Denver Broncos tattoo tear up. I’ve seen grown men and women claw at a steel barricade because of the pure and utter emotional state his voice singing his words (and with such honesty and agony!) put them in.

A tough kid who sometimes swallows nails
Raised on Prisoner’s Aid
He killed a policeman when he was
Thirteen
And somehow that really impressed
Me
It’s written all over my face
(I Want the One I Can’t Have, The Smiths)

The devil will find work for idle hands to do
I stole and I lied, and why? Because you asked me to
But now you make me feel so ashamed
Because I’ve only got two hands
Well, I’m still fond of you
So what difference does it make?
So what difference does it make?
It makes none, but you have gone
And your prejudice won’t keep you warm tonight

(What Difference Does It Make?, The Smiths)


Under the iron bridge we kissed
And although I ended up with sore lips
It just wasn’t like
The old days anymore

(Still Ill, The Smiths)

I will admit that Isaac Brock is a far better lyricist than I’ll ever be, and Cowboy Dan is an amazing song, but no one on earth can match Morrissey.

(You kicked and cried like a bullied child
A grown man of twenty-five
He said he’d cure your ills
But he didn’t and he never will
So, save your life
Because you’ve only got one

The dream has gone
But the baby is real
Oh you did a good thing
She could have been a poet
Or, she could have been a fool
Oh you did a bad thing
And I’m not happy
And I’m not sad
)

That’s all I’m saying. You’ve worked with Morrissey.

But…now that I’ve really thought about it, you probably didn’t even mean it. You were probably just being Northern. And for that I love you. I’d love you even if you did mean it, though. (The sad thing is, is I’m one of the tamer Smiths/Morrissey fans.)



** It might be a good idea to add that I’m not nearly as familiar with Modest Mouse as I am with The Smiths/Morrissey; and that I unfortunately have this very ignorant belief (for lack of a better word at the moment) that most Modest Mouse fans are up-themselves annoying twats and am therefore slightly annoyed by Modest Mouse (and very annoyed by Johnny Marr (Johnny freaking Marr!) now being an official member of the group).

Tuesday, September 4, 2007

All the people, so many people, and they all go hand-in-hand, hand-in-hand through their...textlife!

Text: anything deliberately fashioned by human beings to convey an idea, a message, or even a feeling.
According to the definition of text above, I am faced and interact with text in all ways, everyday.
- I see and hear thousands of advertisements everyday--in magazines, in newspapers, on the internet, on billboards, on TV, at bus stops, on the bus, on the radio, on flyers, etc; and I react to every single one of them. I'll firstly acknowledge the advert, and sometimes it will do its job and I'll actually spend a moment's thought on the product, but most of the time I'll react with annoyance.
- I read, see, and hear bits and pieces of news everyday, which can affect my mood or influence my decision on what to wear, etc.
- I read for pleasure everyday.
- I see works of art everyday.
- I'm instructed by text everyday, whether it be for school, or how to make a meal, or whether to turn right or left.
- I listen to music daily (without doing so I'd be very unhappy).
- I paint, draw, write, etc. often.
Nearly everything I'm confronted with on a daily basis is text, and I interact with and react to it all in some way or another. Without text I would be a useless blob. I wouldn't think or know how to function properly. Without text my mind would be left...blank.